Johnny takes the "Morrissey Quiz", BBC Radio 5 (from June 2018)

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V

vegan cro spirit 222

Guest
To refuse to answer questions about ones former band mate, whom you have no "beef" with whatsoever, would seem terribly silly. Morrissey is a hugely successful and quite controversial figure, with whom Marr made some of his most memorable stuff. To have Marr answer a few questions about him seems very natural. If Marr was the controversial one, Moz would be the one answering questions about him.

It's that simple.
:rolleyes:

the :handpointright::guardsman::handpointleft: smirk whenever he is asked about Moz (which is all the time since that is anyone is ever interested in asking him:lbf:) must be due to the new :handpointright::D:handpointleft: that dont fight properly.
 
A

Anonymous

Guest
:rolleyes:

the :handpointright::guardsman::handpointleft: smirk whenever he is asked about Moz (which is all the time since that is anyone is ever interested in asking him:lbf:) must be due to the new :handpointright::D:handpointleft: that dont fight properly.
Too bad Morrissey is too scared to do any interviews with actual journalists now. He can’t handle it.
 
T

Tiny The Giant

Guest
Call The Comet is like fruitcake at Christmas. No one wants it.
 

Surface

Vegan Cro’s parents regret the condom splitting
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V

vegan cro spirit 222

Guest
Call The Comet is like fruitcake at Christmas. No one wants it.
Perfect analogy. Everybody leaves the party after partaking of the wonderful foods and drink and the Comet fruitcake sits untouched, people avoid as if it contained a plague from another dimension. last to leave the party puts the comet fruitcake under the cupboard so they dont have to face it next year.
:eek:
later, all the people claim they loved it-like these jakeandjilltalktwattery.com blogs that have picked it as the best album ever-but in reality when face to face with the musical catastrophe would u turn and split in the other direction.:tongueout:
 
V

vegan cro spirit 222

Guest
Too bad Morrissey is too scared to do any interviews with actual journalists now. He can’t handle it.
yeah that Moz quiz show dude is a 'real journalists'.:lbf:

all those web show types DramaJ associates with are regular Alistair Cookes :crazy:
 
A

Anonymous

Guest
Yes but its not Morrissey so the fanatics on here can't cope with that. Great that Mojo think so as its one of the best selling music mags in the Uk.
Understood. But I'm stuck at an airport. So here's more year end lists.

And American radio station list:
https://www.kexp.org/read/2018/12/7/2018-top-twenty-list-spotlight-cheryl-waters/

Top 50 Best Songs:
https://www.shortlist.com/entertainment/music/best-songs-singles-2018/378304
http://www.godisinthetvzine.co.uk/2018/12/15/james-autons-tracks-of-the-year-2018/
 

Surface

Vegan Cro’s parents regret the condom splitting
Well all this makes the troll that no one responds to look like ...............a thick f***ing troll that no one responds to.
 

TJ Burns

Active Member
Orthodontist: Are you sure?
Johnny Marr: YES, I AM SURE, I WANT THE BIGGEST f***ING TEETH YOU CAN FIT IN MY MOUTH STOP ASKING.
 
V

vegan.cro.spirit 222

Guest
Orthodontist: Are you sure?
Johnny Marr: YES, I AM SURE, I WANT THE BIGGEST f***ING TEETH YOU CAN FIT IN MY MOUTH STOP ASKING.
every C list website/blog has Comet as THE album of the year. the Comet, with all its drama and dystopia :drama:
not utopia but dystopia a world where people have HUGE teeth.

C list plus C list:handpointright::guardsman::handpointleft: misery loves company.:lbf:
 
V

vegan cro spirit 222

Guest
https://www.bostonglobe.com/arts/mu...arr-hum-now/g9TAKA56F3jE9lwGVFp2iM/story.html


Songcraft is a problem throughout the album’s 12 bloated tracks, but the fact that they’re long isn’t the issue-
-Marr can, and has, held our attention before. It’s more that they lack conviction and structure.


here is a review that sums up the Comet Catastrophe, a legit publication.

Very Bloated with many problems including lack of conviction and structure.
very bloated maybe has botox in them.:flushed:

Poor DramaJ never had conviction and structure.
doh:
 
A

Anonymous

Guest
https://www.bostonglobe.com/arts/mu...arr-hum-now/g9TAKA56F3jE9lwGVFp2iM/story.html


Songcraft is a problem throughout the album’s 12 bloated tracks, but the fact that they’re long isn’t the issue-
-Marr can, and has, held our attention before. It’s more that they lack conviction and structure.


here is a review that sums up the Comet Catastrophe, a legit publication.

Very Bloated with many problems including lack of conviction and structure.
very bloated maybe has botox in them.:flushed:

Poor DramaJ never had conviction and structure.
doh:
Congrats, you found the one bad review! But there's this:

Call the Comet is meanwhile Marr’s third record as the proud singer of expansive songs which declaim a more positive vision. The dystopian possibilities of Donald Trump’s election were at the front of his mind as he wrote it: Call the Comet responds by rifling through the dystopias and utopias of the age of nuclear paranoia in which he grew up. This is a record steeped in both the chilly yearning of Bowie’s “Berlin” albums and Ziggy Stardust’s glam apocalypse, as well as the science-fiction paperbacks by the likes of JG Ballard which inspired them.

The muscle of the synth-powered 1980s “Big Music” which followed Bowie, early Simple Minds especially, also thrums through Call the Comet. Typically, “The Tracers” finds room in the rushing momentum of its final, wordless chorus for Rolling Stones harmonies, too.

The chiming synths and urgently climbing guitars are at their most euphoric on “My Eternal”. “All the saints are underground,” Marr sings, but the music conjures visceral visions of darting between future Manchester skyscrapers, as if in an optimist’s version of Blade Runner. Marr’s sources date him. So does his vision of rock as a transformative tool.


And then there is “Hi Hello”, an unexpectedly comfortable rest-stop in The Smiths’ sound-world. It’s a place as personal and complete as Jimmy Page’s thunderous production palette with Led Zeppelin, has few other parallels, and is Marr’s main claim to greatness. Perhaps for this reason, he has been reluctant to revisit it.


https://www.independent.co.uk/arts-...racklist-morrissey-release-date-a8397216.html
 

Gregor Samsa

I straighten up, and my position is one of hope.
:rolleyes:

the :handpointright::guardsman::handpointleft: smirk whenever he is asked about Moz (which is all the time since that is anyone is ever interested in asking him:lbf:) must be due to the new :handpointright::D:handpointleft: that dont fight properly.
Gibberish. As always, when you’re the one behind the keyboard.

Viva Moz! Viva Marr!
 
V

vegan cro spirit 222

Guest
Congrats, you found the one bad review! But there's this:

Call the Comet is meanwhile Marr’s third record as the proud singer of expansive songs which declaim a more positive vision. The dystopian possibilities of Donald Trump’s election were at the front of his mind as he wrote it: Call the Comet responds by rifling through the dystopias and utopias of the age of nuclear paranoia in which he grew up. This is a record steeped in both the chilly yearning of Bowie’s “Berlin” albums and Ziggy Stardust’s glam apocalypse, as well as the science-fiction paperbacks by the likes of JG Ballard which inspired them.

The muscle of the synth-powered 1980s “Big Music” which followed Bowie, early Simple Minds especially, also thrums through Call the Comet. Typically, “The Tracers” finds room in the rushing momentum of its final, wordless chorus for Rolling Stones harmonies, too.

The chiming synths and urgently climbing guitars are at their most euphoric on “My Eternal”. “All the saints are underground,” Marr sings, but the music conjures visceral visions of darting between future Manchester skyscrapers, as if in an optimist’s version of Blade Runner. Marr’s sources date him. So does his vision of rock as a transformative tool.


And then there is “Hi Hello”, an unexpectedly comfortable rest-stop in The Smiths’ sound-world. It’s a place as personal and complete as Jimmy Page’s thunderous production palette with Led Zeppelin, has few other parallels, and is Marr’s main claim to greatness. Perhaps for this reason, he has been reluctant to revisit it.


https://www.independent.co.uk/arts-...racklist-morrissey-release-date-a8397216.html
the INDEPENDENT!! thats FAKE NEWS CENTRAL:squiffy:
'an optimists version of blade runner'!!!!?? wtf DRAMAJ IS A DYSTOPIAN NOT
AN OPTIMIST! is this 'writer'on a 24 pub crawl?? FFS

here is an authentice review that makes perfect sense:

Call the Comet, his third solo album, is a muddled utopian dreamscape that once again proves that his craftsmanship may not be best suited to take centerstage.

https://www.theyoungfolks.com/music/122026/album-review-johnny-marr-call-the-comet/



this is true DramaJ is perhaps best suited to write clippity clop tunes with the bald
dude from the the:straightface:
 
A

Anonymous

Guest
the INDEPENDENT!! thats FAKE NEWS CENTRAL:squiffy:
'an optimists version of blade runner'!!!!?? wtf DRAMAJ IS A DYSTOPIAN NOT
AN OPTIMIST! is this 'writer'on a 24 pub crawl?? FFS

here is an authentice review that makes perfect sense:

Call the Comet, his third solo album, is a muddled utopian dreamscape that once again proves that his craftsmanship may not be best suited to take centerstage.

https://www.theyoungfolks.com/music/122026/album-review-johnny-marr-call-the-comet/



this is true DramaJ is perhaps best suited to write clippity clop tunes with the bald
dude from the the:straightface:
Looks like you're scraping the bottom of the negative review barrel. Did you write this one? I can go all day as I know there are a ton more positive reviews of Call the Comet. Like this one:

https://www.nme.com/reviews/album/johnny-marr-call-the-comet-review

While there are nods to the past in the music, the tapestry of lyrics and sounds overall look to the future to illuminate what’s lacking in the present.

All in all, it’s a joy to experience. The opulent, bright and breezy opener ‘Rise’ hits you like sunstroke, as a sci-fi rock soundscape backs Marr calling upon the listener to “hear the truth”. Single ‘The Tracers’ is the perfect balance between his knack for pop and the cinematic mastery he’s demonstrated with pal Hans Zimmer, while the glam-stomp of T-Rex and a driving Britpop swagger makes ‘Hey Angel’ a gift of pure rock n’ roll satisfaction.
 
V

vegan.cro.spirit 222

Guest
Looks like you're scraping the bottom of the negative review barrel. Did you write this one? I can go all day as I know there are a ton more positive reviews of Call the Comet. Like this one:

https://www.nme.com/reviews/album/johnny-marr-call-the-comet-review

While there are nods to the past in the music, the tapestry of lyrics and sounds overall look to the future to illuminate what’s lacking in the present.

All in all, it’s a joy to experience. The opulent, bright and breezy opener ‘Rise’ hits you like sunstroke, as a sci-fi rock soundscape backs Marr calling upon the listener to “hear the truth”. Single ‘The Tracers’ is the perfect balance between his knack for pop and the cinematic mastery he’s demonstrated with pal Hans Zimmer, while the glam-stomp of T-Rex and a driving Britpop swagger makes ‘Hey Angel’ a gift of pure rock n’ roll satisfaction.
NME????:rofl:

why bother with NME when you can post Die Spiegal!!! :laughing:

yes :handpointright::guardsman::handpointleft: will fill us with his truth about the Comet that he has commanded to blow us
up because one of DJ stoner acolytes was worried the price for weed went up in SF!!
Comet blow up and the restart the world with only stoners and weed.:mock: O COMET HEAR and OBEY DYTOPIC COMMAND!!:swear:swear

DramaJ is way out there. Now that the only comet that did show up was the Moz COMET OF SUCCESSFUL ALBUMS AND TOURS!! he may have to get a spaceship and drag the comet on over
to the earth. LOL what DJ insanity. Next album: 'Dragging the Comet to Earth for the Benefit of Stoners"

:laughing:
 
A

Anonymous

Guest
NME????:rofl:

why bother with NME when you can post Die Spiegal!!! :laughing:

yes :handpointright::guardsman::handpointleft: will fill us with his truth about the Comet that he has commanded to blow us
up because one of DJ stoner acolytes was worried the price for weed went up in SF!!
Comet blow up and the restart the world with only stoners and weed.:mock: O COMET HEAR and OBEY DYTOPIC COMMAND!!:swear:swear

DramaJ is way out there. Now that the only comet that did show up was the Moz COMET OF SUCCESSFUL ALBUMS AND TOURS!! he may have to get a spaceship and drag the comet on over
to the earth. LOL what DJ insanity. Next album: 'Dragging the Comet to Earth for the Benefit of Stoners"

:laughing:
Hmm, resorting to gibberish, I knew you couldn't come up with another one! Cheers.
 

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