BookishBoy
Well-Known Member
We continue our tour of the letter "I" with this one: a Morrissey/Tobias composition, originally a B-side on "The Youngest Was the Most Loved" and then included on the Swords compilation.
What do we think?
We continue our tour of the letter "I" with this one: a Morrissey/Tobias composition, originally a B-side on "The Youngest Was the Most Loved" and then included on the Swords compilation.
What do we think?
Lyrically it's fairly thin as well. But I agree that the vocal melody is about the only good thing in this song.This one is very thin musically and the vocal melody is the strongest part of the song.
There are so many examples in the Moz discography of melody-free 'songs' that you start to wonder whether the band are actually instructed to create bland soundscapes so that the singer can shine, making the spotlight is entirely his and his vocal melody becomes the sole focus of the listener.
If that's true , it's a bad idea as he isn't always good enough to save a song by himself as is evidenced here. This is yet another piece of instantly forgettable nothingness.