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Don't get me wrong, I watch porn, but I'm careful. Any hint of children being involved and I'm gone. It's difficult because young men are often referred to as 'boys'. I say I like 'boys' but it's just a way of saying I like males rather than females. I like boys and not girls. It doesn't mean I like young boys. When I say I like 'boys' I simply mean 'males'.
Are you practising your story for when the sex crimes squad knocks on your door?
WTF is 'Adam' and why is his baby in the pub?
 
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Feeling like such a loser tonight after a painting I worked on almost all day turned out to be a flop. The artist's tape that was so expensive doesn't work. The new type of watercolor paper I bought isn't nearly as good as the stuff I was using. My talent...it exists with crayons, but not so much with watercolors. I just invested in watercolor materials. I guess I'll use the materials as a pastime, and lower my expectations when it comes to results. I like some of the paintings I've done. So what if most of them are atrocious 🙁
 

She looked better without pupils, I think that now you have to work on adding more details (it is somehow because of the pupils).

By the way: I think you should investigate the Tibetan book of proportions. They are guidelines about how to draw the different Buddhas, the Gods and Goddesses (it's a simplifications, they are not exactly Gods or Goddesses), the demons and the important lamas of the past.
I am suggesting that book (very easy to find online) not because I think you should be interested in Tibetan "deities", but it's one of the best books ever made about how to properly paint in a specific style that is quite close to your style (even if the subject is absolutely different, but the style is somehow close). It may improve your faces and there's a lot of "tricks" there that make relatively simple drawings/paintings into very interesting works of art.
 
She looked better without pupils, I think that now you have to work on adding more details (it is somehow because of the pupils).

By the way: I think you should investigate the Tibetan book of proportions. They are guidelines about how to draw the different Buddhas, the Gods and Goddesses (it's a simplifications, they are not exactly Gods or Goddesses), the demons and the important lamas of the past.
I am suggesting that book (very easy to find online) not because I think you should be interested in Tibetan "deities", but it's one of the best books ever made about how to properly paint in a specific style that is quite close to your style (even if the subject is absolutely different, but the style is somehow close). It may improve your faces and there's a lot of "tricks" there that make relatively simple drawings/paintings into very interesting works of art.
She looks a little anxious now that she has pupils. I'll look for the book you've suggested.
 
She looked better without pupils, I think that now you have to work on adding more details (it is somehow because of the pupils).

By the way: I think you should investigate the Tibetan book of proportions. They are guidelines about how to draw the different Buddhas, the Gods and Goddesses (it's a simplifications, they are not exactly Gods or Goddesses), the demons and the important lamas of the past.
I am suggesting that book (very easy to find online) not because I think you should be interested in Tibetan "deities", but it's one of the best books ever made about how to properly paint in a specific style that is quite close to your style (even if the subject is absolutely different, but the style is somehow close). It may improve your faces and there's a lot of "tricks" there that make relatively simple drawings/paintings into very interesting works of art.
I've left her as she was in the photo you clicked 'like' on, and signed it. The next drawing, I'll paint more detail (or maybe less).
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She looks a little anxious now that she has pupils. I'll look for the book you've suggested.

Yeah, I truly suggest it. Also search for Tangkha on google and you will find many examples (Tangkha... a Tibetan way of painting, but also a way of framing -usually the frame is a piece of fabric that can be rolled as to make the painting easy to carry from temple to temple... but you will find many interesting paintings).

An example:

detail.jpg


The style reminds me of your style because the colours are "flat" and there isn't really an intention of making them look 3D (somehow like the gothic paintings in which there is no perspective).... Maybe I am crazy, but I see a resemblance! (this is just a random example of a detail of a tangkha).
 
Yeah, I truly suggest it. Also search for Tangkha on google and you will find many examples (Tangkha... a Tibetan way of painting, but also a way of framing -usually the frame is a piece of fabric that can be rolled as to make the painting easy to carry from temple to temple... but you will find many interesting paintings).

An example:

detail.jpg


The style reminds me of your style because the colours are "flat" and there isn't really an intention of making them look 3D (somehow like the gothic paintings in which there is no perspective).... Maybe I am crazy, but I see a resemblance! (this is just a random example of a detail of a tangkha).
I especially like the eyes in this one.
 
I especially like the eyes in this one.

Yes, the style is like a strange mix of something quite minimalistic and something quite baroque.
Some "demons" and some "protectors" have somehow complex faces, but the Gods, Goddesses and Buddhas have quite "minimal" ones and they manage to paint very expressive faces without using much (eyes, mouth and nose... the rest of the face if often absolutely "flat" and monochrome)... So it's a good tutorial about how to paint expressive faces without going "baroque".
The book of proportions shows the "secrets" or the "how to do it".
 
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