Clare Muller: Difference between revisions
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Via [https://www.rockarchive.com/prints/s/smiths-the-sm001clmu Rock Archive], Clare recalls: | Via [https://www.rockarchive.com/prints/s/smiths-the-sm001clmu Rock Archive], Clare recalls: | ||
<blockquote> | <blockquote> | ||
"They had just signed to Rough Trade Records and my flat mate Pat Belling was doing their publicity. We did some of the shots in the store room at Rough Trade and a few outside in the park in West London - they paid me £50." | "They had just signed to [[Mention::Rough Trade Records]] and my flat mate Pat Belling was doing their publicity. We did some of the shots in the store room at Rough Trade and a few outside in the park in West London - they paid me £50." | ||
</blockquote> | </blockquote> | ||
Revision as of 14:50, 21 August 2022
Relevance
Example of Clare's work:
Via Rock Archive, Clare recalls:
"They had just signed to Rough Trade Records and my flat mate Pat Belling was doing their publicity. We did some of the shots in the store room at Rough Trade and a few outside in the park in West London - they paid me £50."
Discogs Information
Profile
British photographer, film camera operator and director. She started her career in the early 1980s in rock/pop photography with her work appearing in the NME, Smash Hits and The Face. She later also worked as a 16 mm camera operator on many pop promos and shot and co-directed a documentary film and traveled extensively with a still and movie camera.
External Links
- https://www.discogs.com/artist/1759357-Clare-Muller
- https://www.rockarchive.com/photographers/clare-muller