I've not had time to watch all of this.
If anyone gets through it - feel free to let us know if there's anything Morrissey-related (Spike doesn't appear to go down 'memory lane' often regarding Morrissey - so it would be interesting).
"Best known for his work with The Smiths, The Cranberries, and Blur, today we are talking with English music producer, Stephen Street!
Street began his musical career in the late 1970s playing in various bands in London. He then started at Island Records as an in-house assistant and then as an in-house engineer.
The Smiths and Morrissey
One of Street’s first jobs as in-house engineer was for a session for The Smiths’s “Heaven Knows I’m Miserable Now”. He then worked on their album Meat Is Murder, with Morrissey and Marr producing for the first time.
Street continued to work with The Smiths, working as an engineer on their album The Queen Is Dead before assuming a producer role for Strangeways, Here We Come, their final album.
After The Smiths broke up, Street worked with Morrissey as a producer and co-songwriter on his album Viva Hate. This album reached No. 1, spawning two top 10 hits in the UK. Street went on to co-write and produce two further singles for Morrissey which...
In Does Rock ‘N’ Roll Kill Braincells?!, we quiz a musician on their own career to see how much they can remember – and find out if the booze, loud music and/or tour sweeties has knocked the knowledge out of them. This week: legendary record producer Stephen Street
Who is credited as singing backing vocals on The Smiths album ‘The Queen Is Dead’?
“Um – Ann Coates?”
“Which is Morrissey’s vocal put through a harmoniser.” (Laughs)
The pseudonym is a pun on the Manchester area Ancoats. You engineered The Smiths’ ‘Meat is Murder’ and ‘The Queen Is Dead’, before taking over as producer for their final record ‘Strangeways, Here We Come’, where there are stories that while Moz was in bed tucked up with a Sylvia Plath, Johnny Marr and the rest of the musicians would be covering Spinal Tap songs…
“That only happened during one session! (Laughs) Johnny was a night-owl so sometimes we’d work late. There was no messing around in the studio...
Morrissey’s 2006 track, ‘Ganglord’, is another one that Visconti adores, noting: “Sadly, ‘Dear God, Please Help Me’ and ‘You Have Killed Me’ from Ringleader of the Tormentors, the album I made with Morrissey, aren’t widely available. But ‘Ganglord’ is available on an album called Swords, a B-sides album. I’m so proud of it, and Morrissey still plays it in his shows. It comes from the sessions for Ringleader of the Tormentors, which came about because they’d sacked their first producer. I was a substitute producer, but that doesn’t matter to me.”