I think Porter and the production are unfairly blamed for the shortcomings of the first album. I think the answer is just that the songs simply weren't that good (by comparison to later Smiths efforts). Tate did Cradle better than Porter, and Porter did Pretty Girls better than Tate, but neither helped the (comparatively) weak batch of songs to be any stronger. Still Ill and Reel Around the Fountain are among The Smiths' best songs though, because the talent of Morrissey and Marr managed to shine through early on, even if in smaller and more fleeting glimpses. Miserable Lie has never sounded that good to me. People say Porter murdered it, but I don't care for it live either, or any radio sessions of it, or the Tate version. Suffer Little Children though could have benefited from the piano coda originally envisioned for it.
By the way, how many are familiar with the originally planned tracklisting for the first album produced by Troy Tate? I think the ordering here is very poorly arranged. Pretty Girls as the closer? Why are Accept Yourself and Miserable Lie so close to the end? And What Difference Does It Make seems to be placed too early to me, I thought it worked well towards the end of the album in the form it was released.
Side A
1: The Hand That Rocks the Cradle
2: You've Got Everything Now
3: These Things Take Time
4: What Difference Does It Make?
5: Reel Around the Fountain
6: Hand in Glove
7: Handsome Devil
Side B
8: Wonderful Woman
9: I Don't Owe You Anything
10: Suffer Little Children
11: Miserable Lie
12: Accept Yourself
13: Pretty Girls Make Graves