BillyBud
Unruly Boy
You say Factory was about finding bands no one else wanted, who were the bands you didn’t want?
I don’t think we missed out on anybody, but the bands I didn’t sign that were successful were obviously The Smiths and The Stone Roses. I always thought Steven (Morrissey) was going to be our novelist, our Dostoyevsky, in fact I lost a one act play he wrote about eating toast in Hulme. But I got a phone call one day asking me to come over because he had something to tell me. I went to his mum’s house and he took me into his bedroom with a poster of James Dean on the wall, and he told me that he was going to be a pop star. I had to stifle my laughter because I thought this was the last person in the world about to become a pop star. I had a conversation with Richard Boon, Buzzcocks’ manager and a mutual friend, saying can you believe he’d ever be a pop star? Four months later I went to either their first or second gig at the Manhattan club and being utterly stunned. I remember walking out and Richard saying, “Now do you believe me?” Obviously I did, it was stunning.
But that point in time, there are three stories. The Smiths’ story is that Wilson was a c***, blah blah blah, there is my version of the story which is that I had James and Stockholm Monsters and couldn’t sell their singles, and Factory was two and a half years old and a dinosaur. Not marketing and being weird had worked very, very well, but suddenly it had grown old and stale. I was very depressed at the time.
The full thing is here: http://news.q4music.com/2007/08/anthony_wilson_the_last_interv.html
I don’t think we missed out on anybody, but the bands I didn’t sign that were successful were obviously The Smiths and The Stone Roses. I always thought Steven (Morrissey) was going to be our novelist, our Dostoyevsky, in fact I lost a one act play he wrote about eating toast in Hulme. But I got a phone call one day asking me to come over because he had something to tell me. I went to his mum’s house and he took me into his bedroom with a poster of James Dean on the wall, and he told me that he was going to be a pop star. I had to stifle my laughter because I thought this was the last person in the world about to become a pop star. I had a conversation with Richard Boon, Buzzcocks’ manager and a mutual friend, saying can you believe he’d ever be a pop star? Four months later I went to either their first or second gig at the Manhattan club and being utterly stunned. I remember walking out and Richard saying, “Now do you believe me?” Obviously I did, it was stunning.
But that point in time, there are three stories. The Smiths’ story is that Wilson was a c***, blah blah blah, there is my version of the story which is that I had James and Stockholm Monsters and couldn’t sell their singles, and Factory was two and a half years old and a dinosaur. Not marketing and being weird had worked very, very well, but suddenly it had grown old and stale. I was very depressed at the time.
The full thing is here: http://news.q4music.com/2007/08/anthony_wilson_the_last_interv.html