I think the film clip answer might be a good one too, the Cure's filmclips are played often and have formed an instant recognisability with many people. Also - they have sold more records.
the cure = middle class tossers
love
Grim
It testifies to the fact that twenty years on, Morrissey's songs still upset and challenge people. His honesty touched raw nerves that have never healed over. That's what's so great about him. When you're genuinely disturbing to those with complacent attitudes about men and women, politics, music, and so on, you never really become domesticated, so to speak. The Cure and (bless them, but I must admit) New Order weren't so disturbing that time would fail to smooth them over; they weren't, it did. Now they are palatable to radio programmers and movie soundtrack compilers looking for cool but unthreatening stuff.
Although, to be honest, The Smiths might fit in the same category as "Just Like Heaven" and "Bizarre Love Triangle" if "How Soon Is Now?" were only three minutes long. But they were poison to radio then, and they're poison to radio now-- and happily so! You can still play a Smiths song on the stereo at most big parties and instantly make a few dozen people look aghast and start squirming in their shoes, and that's a power to treasure. The Cure's poppier material is totally mindless and has no such effect.
Oh yeah, that too.
I know exactly what you mean. a few months ago a friend and I were at this stupid little hick bar in my town (just were too lazy to travel further, we just wanted some beerz), and they had the smiths/moz on the jukebox, but ONLY cuz it was one of those hi-tech jukeboxes that "download" music. anyway, so after a few drinks i went over there and stuck in enough money to play about 10 smiths/moz songs in a row. my friend and I were loving it. and i could swear i felt this "wtf is this shit, wheres the skynyrd?!" vibe from everyone else in the bar. it was great. im pretty sure im the only person in my town who even has a clue who Morrissey is.
while i like this story and believe itI know exactly what you mean. a few months ago a friend and I were at this stupid little hick bar in my town (just were too lazy to travel further, we just wanted some beerz), and they had the smiths/moz on the jukebox, but ONLY cuz it was one of those hi-tech jukeboxes that "download" music. anyway, so after a few drinks i went over there and stuck in enough money to play about 10 smiths/moz songs in a row. my friend and I were loving it. and i could swear i felt this "wtf is this shit, wheres the skynyrd?!" vibe from everyone else in the bar. it was great. im pretty sure im the only person in my town who even has a clue who Morrissey is.
while i like this story and believe it
in the movie version
there should be a fight
and the skynyrd lovers lose to the Morrissey ones
while i like this story and believe it
in the movie version
there should be a fight
and the skynyrd lovers lose to the Morrissey ones
in the moviebut me and my friend were completely outnumbered.
but yes, in a perfect world, the Morrissey lovers always win.
in the movie
you have
on your side
yeah, and alive thats good toocan I have Jackie instead?? he's so cute
yeah, and alive thats good too
can I have Jackie instead?? he's so cute
I don't care what anybody says, Liz Taylor looks good for her age...
I think I will go burn all my Cure CDs now...After I throw up...
"That's Why People Throw Up"
(Ashley Simpson/Robert Smith)
I do hear the Cure a bit more, but their music is more "fun" sounding- poppy. Although, at the time, they were tolerated no better than the Smiths where I lived. (as in, "you listen to what? eew.")
Surprisingly, I hear a lot of the Cure's newer stuff-anything after Disintegration, which to my mind was the last Cure album. They completely turned me off with this "Mint Car" and "Friday I'm in Love" shit. But then, everything went to hell musically for me once Grunge began. Ruined it all. 'Cept Moz.
Do give Wish another chance; just skip over "Friday I'm in Love" and "Doing the Unstuck." I didn't like the album til I heard the live versions on Paris. "A Letter to Elise," "Apart," and "End" are among my fave Cure songs. And the whole of Bloodflowers is excellent; better than Disintegration, which I never liked as much as everybody else, despite it being my introduction to the band. I haven't heard their latest, self-titled album.